Nikki Zheng makes precision feel like an invitation.
At Sushi Akira, about a dozen seats, eighteen courses and a bill under $200 turn New York’s most intimidating format into a welcome.
61 stories from the September 2026 issues. Each opens on its own page with the listing and sources.
61 stories
At Sushi Akira, about a dozen seats, eighteen courses and a bill under $200 turn New York’s most intimidating format into a welcome.
Hiroki Odo’s fourteen seats run on kaiseki pacing and downtown energy at once.
Ten seats, kelp-cured sea bream and a counter that values patience over theatre.
Aged fish, red-vinegar kohada and meditative stillness on West 17th Street.
A jewel-box room under a golden dome, with caviar, uni and aged otoro at a semicircular counter.
A steel horseshoe counter around a silent kitchen, and two stars earned in full view.
Handrolls, chicken skewers and chilled cucumber on West 34th Street, served elbow-to-elbow.
Chef Shin Chang-ho’s tasting menu, perilla oil and aged jang included, is the only room in this chapter the guide rates at two stars.
The Butcher’s Feast, dry-aged cuts over tabletop embers and a 1,200-label wine list on 22nd Street.
Behind a keypad door off the 34th Street station, twelve seats and a one-star menu.
Sungchul Shim’s nine skewer courses on Tenth Avenue.
Warm nori cones passed hand to hand on Ninth Avenue, so the seaweed stays crisp.
A Bib Gourmand on West 35th Street built on house-made dubu and bubbling soondubu, at $$.
Yukhoe, gochujang ribs and soju cocktails in a bi-level loft on West 33rd Street.
A dining room on Tenth Avenue, cooking developed with Seoul’s Onjium institute.
Charcoal pork belly and galbi around earthenware firepots on Eighth Avenue.
In the Fifth Avenue Hotel, Andrew Carmellini’s kitchen and tableside service revive a kind of New York night most restaurants gave up.
An express elevator, a glass-wrapped room over the Hudson, and halibut on the bone.
Marcus Samuelsson’s Chelsea room, with Derrick Adams murals and berbere brown butter.
Leather banquettes, a raw bar and dry-aged porterhouse over charcoal on Tenth Avenue.
White oak, Murano crystal, rotisserie chicken and caviar, and a room built for conversation.
Hillary Sterling’s wood-fired pasta and branzino near Moynihan Train Hall.
An oval counter on West 16th Street devoted to bronze-die shapes from Pastificio Di Martino.
Chef Max Wittawat’s beef tongue with tamarind jaew and smoky pork jowl, late into the night.
Bucatini all’amatriciana and cacio e pepe in a candlelit brick room, at $$$.
Teodoro Diaz-Rodriguez and Jen Feltham cook the flour tortillas of San Luis Río Colorado on East 8th Street, and the guide gives the whole meal a single $.
Chris Bianco’s Rosa pie is a Bib Gourmand at 1320 E. 7th St. Hayato, rated two stars, is Suite 126 of the same building.
Tokyo-style tonkotsu, noodles rolled daily and a room that clatters near Herald Square.
Chongqing chicken, mapo tofu and boiled fish in chili oil near Bryant Park, at $$.
Charles Namba and Courtney Kaplan’s chawanmushi, skewers and a sake list worth the trip.
Long-fermented sourdough pies and natural wine on Pizarro Street, a Bib Gourmand at $$.
Hand-made tortelloni and squid ink spaghetti across from the Bradbury Building, a Bib Gourmand at $$.
Mandilli di seta with Genovese pesto in a converted Arts District warehouse, a Bib Gourmand at $$.
Blue crab and yellowtail handrolls at a wraparound counter on East 3rd Street, at $$.
Brandon Go’s seven seats, no recorded music and a kaiseki menu the guide rates at two stars.
Jon Yao’s two-star tasting menu and one of the country’s most ambitious non-alcoholic pairings.
Yoshiyuki Inoue’s one-star counter under East 1st Street.
A one-star counter on San Pedro Street where chefs explain each fermentation.
Hiroyuki Naruke’s Edomae counter on West 7th Street, with no soy sauce on the table.
Hide Takeda’s kombu-cured snapper and warm akazu rice, in Suite 307 on Onizuka Street.
Eight seats on San Pedro Street where torched tuna meets Japanese whisky.
Raymond Matsuno’s eight seats on East 3rd Street, with dry-aged bluefin and easy conversation.
Kwang Uh and Mina Park cook Korean temple and fermentation traditions at a long, low counter on East 2nd Street.
Ori Menashe and Genevieve Gergis’s bone marrow gnocchetti, salumi and wood-fired pizza, more than a decade in.
Enrique Olvera’s duck carnitas, clam aguachile and a courtyard under banana palms.
Cornbread, wood-roasted chicken and biscuits in the Hauser & Wirth courtyard.
Josef Centeno’s thirty seats, where Italian and Japanese cooking meet.
Tsukune, yellowtail collar and natural wine at an Arts District izakaya.
Max Boonthanakit and Lijo George’s all-white dining room on East 3rd Street.
Stephanie Izard’s sweet-sour-spicy plates for sharing on Mateo Street.
Gary Menes’s ten-seat, vegetable-led counter in Koreatown, cooked from his Long Beach garden. Its MICHELIN listing no longer resolves, so we could not confirm it for this issue.
Behind a Victorian facade on Avenue Road, Edomae sushi at the top of the guide’s price scale.
Rob Rossi’s focaccia di Recco, lorighittas and wood-charcoal branzino in a limestone room.
A long live-fire hearth, heirloom corn nixtamalized in-house, and one MICHELIN star.
Grant van Gameren’s standing pintxos bar at College and Palmerston, a Bib Gourmand at $$.
Patrick Kriss’s one-star tasting menu, reached by elevator from the corner of Queen West.
Michael Caballo and Tobey Nemeth’s candlelit room of wild game, mushrooms and truffles.
Sumith Fernando spent years at Schwartz’s before opening this strip-mall deli, now a Bib Gourmand at $.
Eight-hour congee, live seafood and roast meats in a dining hall built for banquets.
The Iaccarino family’s Amalfi Coast cooking in the Westin Harbour Castle, at one star.
Daniel Hadida and Eric Robertson cook a menu decided by the day’s harvest, and the 2026 guide rates them at two stars.
No story matches. Try a restaurant, a chef or a street.